Author: Nat Rad

New work!

| Nat Rad

Working towards an exhibition- Nov 2025

Moving focus to paint, I am working on a body of work with Theo for the Parry Gallery exhibition at the Historic Whaling Station. About halfway through production now!

Voidscape 2

| Nat Rad

Exploring compositions to reveal the landscape, I began with video work in 2023.

The subject is a landscape area of boulders on the north side of MT Clarence, Albany. The composition investigates the identity of this space through transparency and overlay of site images. Revealing the landscape’s features, including the ‘unseen spaces’, voids.

The second installment for 2025 of ‘Voidscape’ brings together video, soundscape and oil on canvas paintings, connecting the forms of the landscape through all media.

The term “Voidscape” is derived from digital creation and refers to other worlds outside of physical representation.

Unplugged 2

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After a successful MIX Unplugged 2024, we’re returning with another theme-free exhibition. The Museum of the Great Southern will host MIX Artists Inc in a pop-up gallery. Artists will rotate times, ensuring fresh artwork throughout the event. Visit again to see new pieces from different artists!

100 Chawan: completed soundscape

| Nat Rad

The soundscape for the 100 Chawan exhibition is a compilation of 6 parts, representing elements identified by Linda Chambers and Collyn Gawned as significant to their art practice.

Being invited to create a soundscape and directed by Linda and Collyn‘s strong vision for the completed ceramic works to be underpinned by the ‘feel’ of the exhibition space, I began with recording in their studios.

  • Introduction: Chanting, Frogs, water and Night Chitty Chitty
  • Linda Making: electric potters wheel recorded in her home studio
  • Tea: preparing to make tea, chanting and whisking matcha
  • Travels in Japan: Hiroshima peace bell, poring tea and Osaka train station
  • Collyn Making: hand making a Chawan recorded in his home studio
  • Mediation on flow: Tapping on Chawan, waters of Lake St Clair, Torbay, Hopetoun and Ledge Point with breath

Hand building a chawan

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Part 5 ‘Collyn Making’ – Collyn moves around his space with an enquiring mind. A work always in progress. The music he plays (reversed in my editing) the different wind chimes, the water dripping off his roof to be collected in a bucket, the patting and forming of a chawan. Linda whisks matcha (Green tea) at the end of our session. I looked for a flow in editing the sound into a form to end with the breath and relief at the end of creating.

Behind the Scenes: Ceramic artist Linda chambers

| Nat Rad

Part 2 ‘Linda Making’- recorded in Linda’s studio mainly working on the electric pottery wheel. The summer insects form a backdrop to the kneading of clay with rhythmic breath. Handling the clay before centering using her body with the mechanics of the wheel to form the clay into a circular vessel. Running her fingers around the rim and over the bisk fired chawan. 

Chanting and Tea: A Creative Sound Experience

| Nat Rad

Part 3 ‘Tea’ combines male and female chanting with the ritual of making tea, including the whisking of matcha. Recorded in the studio of ceramic artist Collyn Gawned, also his home, the process of making tea is a part of the creative process and underpins the esthetic.

The first edit I posted was reworked to consider the place it sits within the entire soundscape and the flow required within the exhibition space.